Devi

The stair void anchors depth so the scene reads as a calibrated field rather than a picture—perception is tuned by gradients, glare, and after-image as the environment slowly reorients around the body.

A green chamber whose surface behaves like a living membrane. Behind artist, a morphing pixel-field continuously reconfigures—crystalline cells liquefy into glossy reliefs, then resolve again—while subtle breath and micro-movement nudge scale, luminance, and flow. Light is treated as volume: the background’s shifting “pixels” articulate depth and gently recalibrate the space. The piece —turning stillness into a programmable field.

A handheld sun rests between the artist’s palms, casting a pink chamber into orbit around it. The room behaves like an integrating sphere: light spills, rebounds, and softens until space feels pressurized rather than pictured.

Drawing on the Light & Space tradition, Solar Reliquary treats perception as subject—gradients, glare, and reflection recalibrate attention and spatial awareness—while the generative system translates bodily data into atmosphere.

A dark crescent rises before a radiant red disc while a seated figure holds still at its edge. Light is the primary material: breath-driven data subtly widens the halo, shifts luminance, warms the red toward amber.

An ultra-wide, mirrored panorama of liquid-metal membranes folds and unfurls around a solitary figure. The artist’s micro-movements seed a generative system that translates movement vectors into chromatic currents—crimson and cyan—sculpting specular surfaces that expand and recede like tidal light. Aether Reservoir treats beauty as infrastructure: data metabolized into atmosphere that orients attention, settles the nervous system, and leaves a trace in memory.